Tag Archive: Princess Bride Party

The Princess Bride Gender-Swapped!

Confession: I saw The Princess Bride for the first time last weekend. I know, I know, my childhood was lacking. There was only one movie theatre with one tiny screen in my town, and my parents said we were too poor to see movies in a theatre. So yeah. Fast forward 29 years later, and I have Netflix which has The Princess Bride. Now all is right with the world.

So what’d I think?

First, I need to establish something else about my childhood that may seem totally unrelated but isn’t… Picture me at about age 7, smaller-than-average with brown pigtails and an overbite, dressed in a frilly dress and white patent Mary Jane shoes. I’m sitting in a church basement with a dozen other kids. We’re in Sunday School. The teacher is telling us about Jesus and the 12 disciples. I raise my hand. When the teacher nods my way, I ask, “Why were all the disciples men?” My teacher answers, “Just because they were.” I’m not satisfied with this answer, yet sadly I’m used to it. This is not the first time I’d asked why men got to do all the things and make all the decisions and women didn’t. I did not yet know the words “sexism” or “patriarchy”, I just knew that men ran the world, and young me thought that this was not fair.

Old me still thinks it’s not fair.

So while watching The Princess Bride, even though I was enjoying the funny banter and swashbuckling fight scenes, I couldn’t help but think, “Why are all the characters dudes?!” Except for Buttercup and two women who have single scene bit parts (Miracle Max’s wife Valerie, and the Ancient Booer – a part so minor she doesn’t even have a name), the other FIFTEEN speaking roles in this film belong to men. And it could so easily NOT have been that way! So easy I’m going to do it right now…


From the very first time the character appeared on screen, I wanted Inigo Montoya to be a girl. So much so that in my mind, I renamed him Indigo! And that’s the only change needed. Indigo is exactly the same as Inigo, except a girl. And I’ll tell you why…

#1 – Equality in Revenge! Why is it that revenge plots starring men usually revolve around a family member who was killed and the hero plots to kill the murderer to avenge that death, yet revenge plots starring women are usually about avenging a sexual assault? Don’t get me wrong, that’s one helluva reason to seek revenge! But it’s been used so much it’s cliche. Why can’t women pick up a sword and avenge wrongs against their family? It’s not inconceivable!

#2 – Sword-fighting. I just want to see more women sword-fight on screen. I’ve read books with women who sword fight, but can’t think of a movie. Chime in in the comments if you know of one!

#3 – Drunkenness. Yep, this is a vice that is generally reserved for the boys – male characters drown their sorrows in drink, while women eat ice cream. And when female characters do drink, they’re portrayed as being pathetic and having a very serious problem; whereas male characters often just shake off their blues, get sober and kick ass. Time for Indigo to demonstrate how women can shake it off too!

Next gender-swap: Westley! In fact, I’m pretty sure Westley is supposed to be a girl disguised as a boy. How else do you explain that moustache? Also…

#1 – Girl pirates rock! ‘Nuff said.

#2 – Girls can do the saving. There have been a couple movies where girls save other people, but nothing compared to all the movies where men save everybody. Now, if one was to write this movie with Westley as a girl, people would probably call her a Mary Sue. Wikipedia defines a Mary Sue as: “an idealized and seemingly perfect fictional character, a young or low-rank person who saves the day through unrealistic abilities” and “a poorly developed character, too perfect and lacking in realism to be interesting.” Yet when a male character fits this bill, the reaction from audiences is usually, “Yeah, sure, I buy that.” After all, it’s fun to watch Westley be amazing, right? Well, to me, Westley being amazing as a girl is even better!

#3 – The world needs more LGBT romances without making it an issue. There doesn’t need to be an explanation for why two women love each other, just like there’s not really a reason why Westley and Buttercup love each other. They just do.

Even with those two male characters changed into female characters, the cast of The Princess Bride doesn’t come close to being equally gender split, but it’s a start. Though interestingly, just by changing two heroes into heroines, most people would probably think it was an equal split! For more about our society’s warped perception of male-to-female character ratios, read this enlightening article from Writer Unboxed: The Problem With Female Protagonists.

What do you think of the overall dudeness of The Princess Bride? Would you like to see a remake with women playing any of the traditionally male roles? What characters would you like to gender-swap and why?

Permanent link to this article: http://writeonsisters.com/writing-craft/the-princess-bride-gender-swapped/

The Princess Bride: A Frame Narrative Worth Studying

the-princess-bride_-a-frame-narrative-worth-studyingGrab your black mask, strap on a sword and beware of Iocane powder. Westley, Buttercup and the rest of the Brute Squad are romancing the blogosphere with THE PRINCESS BRIDE Linkup Party. This weekend blogs everywhere will be sharing their favorite bits and bobs about the movie and the book. You’re invited to take part in festivities by adding your related blog post link below.

Or you can just sit back and enjoy the party by following the links and reading along with us.

Either way, you are sure to discover something new about THE PRINCESS BRIDE.

A Frame Narrative Worth Studying

This story is all about Love! Yes, I said Love, with a capital L! Yet it’s not a traditional romance. It follows few of the typical kissing book tropes. And I think there may lie the source of its overwhelming popularity.

I expect most people reading this post know this story by heart, but to sum up:
Buttercup is a lovely young woman who falls in love with Westley, a farm boy who works for her parents. When Westley leaves to seek his fortune, Buttercup receives notification of his death. In her despair, she agrees to marry the ruthless Prince Humperdinck. However, Westley lives. What results is a tale of their repeated efforts to reunite, defeat obstacles and find their happily ever after.

But that is the inner story, THE PRINCESS BRIDE (movie and book) are frame tales. They represent one of the best modern examples of using the frame narrative a writer can study.

A frame story (also known as a nested narrative) is a technique of putting a story within a story. The outer frame creates the introductory or main narrative. At least in part, the outer frame also sets the stage and binds together with the inner narrative to create a single message. If you really have no clue what a frame story is, you might want to start here with our post, Tips for Crafting a Frame Story.

I’ve decided to focus mostly on the outer frame and on what I feel is the main message of the story: generational love, the love of family.

Because it’s a more compact version of the story, I’ll be using examples from the movie. However, it should be noted that the same message is presented in the book. And because the book version gives more attention to the outer frame, it plays an even larger role.

The first indication that generational love is the message of the story is the selection of the protagonist. While the father is the protagonist in the book, the grandson plays this role in the movie. Yes, I expect this to shock most people, but let’s look at the evidence.

The grandson is the only character to experience any form of meaningful character change. While Westley and Buttercup love each other from their first scenes, the boy views his grandfather as his antagonist. He hates that his grandfather has all the power in the relationship. He can force their togetherness with the support of the boy’s mother.

the-pinchThe grandfather confirms the grandson’s perceptions of their combative relationship by pinching the boy’s cheeks and devaluing the boy’s TV watching. When he wants to read to him, the grandson dismisses the plan by saying he will try to stay awake and also by showing his displeasure over the selection of a “kissing” book.

The boy might love his grandfather, but they have no common ground and there is no respect, or appreciation of the older man’s attentions.

Through hearing the inner story the boy is exposed to two contrasting versions of family love: 1) the intense love, portrayed by Inigo Montoya, and 2) the lack of love, represented by Prince Humperdinck.

Inigo expresses his family love in his need to avenge the death of his father. His revenge quest replaces his natural grieving process and gives him a way to memorializing his father. His character gathers strength and determination from this childhood loss. He is willing to forgo his own life goals for the sake of finding justice for the father he loved so dearly.

Humperdinck, whose father is still alive but addled, shows no interested in the man. The old king is a figurehead, someone Humperdinck brings out for events and tucks away out of sight the rest of the time. Humperdinck is unmoved by Buttercup’s love for Westley, or for her affections for his father. The Prince is mostly a loner, and he uses fear, not love, as the only method of enforcing his rule.

When Inigo kills Count Rugen, aka the six fingered man, Humperdinck is left completely alone. The Prince has lost his only friend Count Rugen and also his political tools, Buttercup and Vizzini. Inigo is hurt, but he still has the support and love of his tight-knit family of friends. His side is the victor in every way. Love in all its forms – family, friendship and romantic – has triumphed over adversity in the inner story.

In the outer story the boy has internalized the story and made a change. He relishes the time he just spent with his grandfather and invites the man back the following day to reread the book with him. There is a clear indication the boy now sees the value of his grandfather and their relationship is headed in the right direction.

THE PRINCESS BRIDE is written for the child; it’s all about convincing the child in the outer frame to change his perceptions. The inner story is the device used to achieve that end result. In both the book and the film, the story is about creating common ground for the generations to converge and to remember the value of family.

Come back on Sunday, September 25 when Heather will be talking about gender-swapping characters in The Princess Bride!

Let me know if you agree with my interpretation in the comments.

You can also follow in real-time by using the #PrincessBrideParty hashtag on Twitter.

Permanent link to this article: http://writeonsisters.com/writing-craft/the-princess-bride-frame-narrative/

ICYMI: Emotional MidPoints, Character Name Tricks, + Princess Bride Party!

Hello! We are still here and blogging! Alas, Jetpack was giving us trouble and not sending emails to our lovely subscribers. So we thought we’d better recap the last two weeks. First…


We’re hosting a Princess Bride Linkup Party! It’s next weekend! Why? Because FUN! And also on September 25th, three decades less a year ago, The Princess Bride opened in theatres, and we felt like celebrating that. So if you want to share your thoughts, feelings or critiques on the book and/or film, write a post (or share one you’ve already written) and join our linkup. For more information and blogging ideas, check out our #PrincessBrideParty FAQ page.

And while Jetpack was being buggy, we published these two posts:

Emotional MidPoint

Heather needed a refresher on a story’s MidPoint from the hero’s point of view, so she republished this useful post. Click here to read the whole thing.


And Robin shared three strategies for making your character names original and entertaining! Click here for the whole post.

So that’s the September recap. Hope to see you guys at the Princess Bride Linkup Party!


Permanent link to this article: http://writeonsisters.com/general-information/icymi-emotional-midpoint-character-name-tricks-princess-bride-party/