Plenty of Feedback: A Writer’s Guide to Finding a Critique Partner Match

Critique Groups have been top-of-mind here at WriteOnSisters for the last couple weeks. Callie wrote a pro writers group post and Sharon presented the counter opinion. Whether you’re for or against probably depends on your experience. Most writers carry some baggage around when it comes to critique partners and groups. We’ve all been burned before. …
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What We’re Reading: July is for Mysteries

Mysteries were my first love. As a kid, I read every single Nancy Drew book in the library. Then I moved on to supernatural mysteries by Lois Duncan. I read and read and read – murder mysteries, romance mysteries, fantasy mysteries, sci-fi mysteries, action adventure mysteries – any story that was a puzzle for me …
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Common Writer Advice Revised

We all get tips from well-meaning people who truly believe the wisdom they’re imparting. The most common writer advice I hear is this: You don’t need a detailed outline. Don’t revise mid-draft; just write. It’s okay if your first draft sucks. This advice works for a lot of people, but if this isn’t your process …
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Screenwriter Tips for Novelists: 3 Things that Keep Your Story on the Road (not the Goat Path)

Last week I talked about Mapping the Mushy Middle of a story so that your characters don’t get waylaid on some meandering goat path of grass-eating boredom before finally arriving in Act III. Or worse, get stuck in the swamp and never reach The End! It comes down to knowing your destinations in Act II: …
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Screenwriter Tips for Novelists: Mapping the Mushy Middle

Last week I wrote about how to Create Character Change and the importance of making sure your character’s flaw is foiling her in Act II. This led one of my fellow Write On Sisters to comment that the “mushy middle” is a hard section to write. That it is. Robin wrote about it here from …
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Reading For Writers 101: Character Change, part 2

Last week’s lesson was about how Character Change makes a story more satisfying, and I evoked the good name of James Bond to make my point. Audiences and readers, now more than ever, want characters who grow and evolve. But figuring out your character’s change is just one step; you also need to develop how …
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What We’re Reading: Summer Romance

As summer sweeps in with its balmy breezes and hot temperatures what’s more wonderful than a steamy summer romance? Heather and Robin initially cringed when I suggested this theme, neither of whom would be considered a fan of the romance genre in general. And I’d have to agree to some extent. Many romance books embody …
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A Major Milestone! Our 200th Post!

A bicentennial by definition is a 200th anniversary, although it is a landmark usually measured in years. Yet our bicentennial is barely one year old. Yesterday we posted our 200th blog post and while it might not seem like a momentous occasion to many, to us it is remarkable. We began this journey in August …
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Reading For Writers 101: Character Change, part 1

I read a lot. And since I’m a writer, reading isn’t just entertainment, it’s instructional. I learn from every book, whether good, bad or middling. That’s what inspired “Reading For Writers 101.” Today’s lesson: Why character change makes a story worth reading. Months ago I read a book where, frankly, the main character was a …
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Who Do You Write For?

This weekend I spoke on a panel at TAAFI (Toronto Animation Arts Festival International) about Writing for Animation, and it got me thinking about who writers write for. For example, as a screenwriter I write for the people who hire me (story editors, producers, broadcasters) and through them there’s a lot of focus on writing …
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