Straight talk from the sisters about blood, sweat and ink
Sometimes I write a story where lots of exciting stuff happens, my protagonist is proactive and has a goal, and I’m hitting all the right beats (if you don’t know what those are, check out this post on the 15 Story Beats), yet the story still feels flat. What’s wrong? What am I missing? The …
Continue reading “How to Straighten Your Story’s Spine”
I bet most writers have heard of Pixar Studios. They are the huge animation powerhouse that is now owned by Disney. They’re best known for a string of huge blockbusters films, all earmarked for family viewing. Even if you don’t make a point of watching Pixar films (and by the way you should), you may …
Continue reading “5 Overlooked Pixar Storytelling Tips”
I’ve been reading writing craft books for almost two decades, and it’s gotten to the point where most of them don’t tell me anything I don’t already know. But recently I had a creative crisis that prompted me to look hard for new information, and after a couple misses I came across THE ANATOMY OF STORY …
Continue reading “Character Need: Psychological + Moral”
Creating characters to populate your novel or screenplay is a lot of fun. You get to devise different backgrounds and opinions and alliances and secrets and all kinds of interesting stuff that brings the cast to life. But you can have the most detailed character sketches and richly drawn cast ever, and your story could …
Continue reading “Character Development: The Reaction Chart”
Multiple POV means writing separate scenes from the viewpoints of different characters, staying in one character’s POV for an entire scene and not switching to another character’s POV until a new scene. Stories with multiple POVs are difficult to write. I’ve read more books that attempted this technique and failed than books where multiple POVs not …
Continue reading “5 Tests for Writing Multiple POVs”
What does “x-ray” have to do with writing craft? I didn’t choose it just because I needed an “X” word for the #AtoZChallenge, or because I already used “x-rated” for last year’s post (X-Rated: Should YA Books Have a Rating System?), but because all writers need to be able to check the spine of their …
Continue reading “X is for X-Ray”
A couple letters ago, I talked about External Conflict – all those forces in the universe that are bumping up against the protagonist. Now we’ll discuss Internal Conflict – the sometimes black hole of doubt within the hero. Like External Conflict, Internal Conflict must get in the way of the hero achieving his goal. Most …
Continue reading “I is for Internal Conflict”
It’s appropriate that I got letter “C” since Character Change is something I frequently write about on this blog. That’s because it is so crucial! I think it might even be the most important part of a good story. So, with that in mind, let’s launch this baby! 3 Tips for Writing Character Change Don’t …
Continue reading “C is for Character Change”
Two weeks ago I blogged about How to Create a Character Arc from Plot, followed my own advice, and came up with… multiple character arcs for my heroine. Yep. At least four or five, and I’m not sure which one is the right one for the story. What’s an I-have-too-many-ideas writer to do? Well, here …
Continue reading “Choosing the Right Character Arc”