Tag Archive: animated films

Masterplots Theater: Z is for Zoomorphic

Z Masterplots Theater-6Welcome back to Masterplots Theater on this the very last day of the A-Z Challenge! Yippee! We made it! And as happens every year, we get to Z and go, “What the heck are we going to write for this letter?” Of course, now that I think of it, we could have picked zombies, but I already talked enough about zombies in X is for X Meets Y. So the word of the day is *drum roll* ZOOMORPHIC!

What the heck does that mean?

Zoomorphic: “Having the form of an animal.” — Merriam-Webster Dictionary

Great! I get to talk about all my favorite animated movies where the characters are animals. And then I read this:

Zoomorphism: “Art that imagines humans as non-human animals.” — Wikipedia

Oh wait, that’s the opposite of this:

Anthropomorphism: “The attribution of human traits, emotions, and intentions to non-human entities.” — Wikipedia

Right. So that means most animated animal films, such as FINDING NEMO, ICE AGE, THE LION KING and RATATOUILLE are actually anthropomorphic. Darn.

So I went back to the drawing board, aka Google, to research stories where humans take the form of animals, but then remembered that Robin already wrote about the Metamorphosis masterplot. So you know what? We’re just going to go with the basic definition of zoomorphic (“having the form of an animal”) and talk about movies with animal characters that act so much like humans that we can pretend they’re humans in animal form. Okay? Because Z is a difficult letter and we can cheat a little.

Zoomorphic Plot Notes: 

The defining element of this somewhat made-up masterplot is that the characters are animals that act human, so much so that they talk like us, walk on two legs, and wear clothing. In this way, FINDING NEMO does not fit in this category, but FANTASTIC MR. FOX does.

The setting resembles human civilization, with the animal characters living in houses and cities, getting married, having jobs, and even establishing organized leadership such as royalty or government.

Probably the most significant characteristic of this plot is the moral issues it addresses. The animal society mirrors human society, including all the problems and -isms (racism, sexism, classism) that we deal with.

Common masterplots that zoomorphic stories fit into are Rite of Passage, Quest, Adventure, and The Fool Triumphant.

Example to Study:

ZOOTOPIA! Because it’s my new favourite film and a perfect fit for this masterplot:

Zootopia-Poster· CHARACTERS: They are all animals who talk, have human-style relationships, and work people jobs. They also wear clothes, and there is a hilarious scene in a nudist yoga centre that makes light of this.

· SETTING: Zootopia is a modern city with houses, businesses, roads, transit, technology and government. Heck, the bunny protagonist even has a smart phone that she uses to call, text, listen to music and take photos. It doesn’t get more human than that! 

· MORAL ISSUE: Racism. Because what better way to send a “we should all live in harmony, no matter our differences and our history” than to put a bunch of very divergent animals together in the same city, some of whom used to be “prey” to the others.

· MASTERPLOT: Zootopia falls under the Fool Triumphant category because 1) the protagonist (Judy Hopps) is a bunny that nobody expects to succeed because bunnies aren’t supposed to be police officers, 2) she’s up against the Establishment (police force) who discriminates against bunnies, 3) she gets a name change when she passes cop training and becomes Officer Hopps, 4) the film sheds light on a serious moral issue through comedy, and 5) the disregarded protagonist exposes the establishment as the true fool, and everyone lives happily ever after. 

Future Research:

Stories that fit my Zoomorphic Masterplot criteria: FANTASTIC MR. FOX, MICKEY MOUSE and DONALD DUCK films, THE SECRET OF N.I.H.M., and REDWALL.

And that’s it! The April Blogging A-Z Challenge is finished! Thanks for being part of Masterplots Theater. We sincerely hope you enjoyed the show.

 

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