Straight talk from the sisters about blood, sweat and ink
About a year ago I sat down at a table with a large number of authors, some published, some not. We talked about everything, our writing successes, hopes, and failures. Toward the end of the meal, someone hit on a subject that proved a hot button for many of us. The topic in question regarded …
Continue reading “Pace, Friend or Foe?”
Sometimes the pudding in the mix is yummy. Like in a cake. But in a novel, the pudding is the enemy. It’s that soggy center section of a novel, and it’s a problem that can take many forms. It’s the whipped up middle, a light fluffy mousse of writing, where the author whisks the same …
Continue reading “The Pudding in the Mix, The Gooey Center of a Novel”
I’ve always felt the call of the wild, that deep magnetic draw to be outside. The feeling stuck with me even after bad times, days when Mother Nature let me know she held all the cards. Like when I lost my footing while backpacking and tumbled down an embankment, or when a Tarantula Hawk sting …
Continue reading “The Call of the Wild and How Writers Respond.”
In the last few weeks, I’ve spent a great deal of time thinking about nature. And zoning laws! And bureaucratic stupidity. Well maybe not stupidity, let’s be kind and call it arrogance, or kinder still, ignorance. Can sugar-coating turn a bitter truth into candy? Or change how we as a species, deliberately, with planning and …
Continue reading “Into the Wild Part II”
For urban dwellers, nature sits apart. Most of us only see the spare, diminished nature of city parks and backyard gardens. Even these natural settings we relegate to the rear of our consciousness as we focus on the conditions around us, the cars in the street, our work cubical, a much-needed trip to the grocery …
Continue reading “Into the Wild: Creating Nature Settings”
I happen to love architecture, I always have. I’m one of those strange people who measures time by my landmark acquisitions. However, I believe anyone can learn to write about structures (from castles, to space stations, to huts) by asking themselves a few simple questions about how they want to use the building in the …
Continue reading “Navigating Architectural Spaces in your Fiction: From Apse to Ziggurat:”
The principles of choosing and researching a real world location for your fictional setting follows the same rules regardless of the genre. So contemporary writers listen up, someone out there knows more about the downtrodden civic center you’ve picked as the setting for your new novel than you do. So if you don’t want the …
Continue reading “Misty Moors and Bloody Battlements: The Rules of Setting”
Sometimes what you really need is a great book. The Sisters can sympathize. As writers, we are avid readers. On the last Saturday of each month, we will share our book picks for the current season. Nothing sends me under the covers with a book faster than the first wisps of autumn. The family has …
Continue reading “What We’re Reading: For Halloween”
What’s in a name? Shakespeare asked the question and we as fiction writers know the answer, the name is everything! Well maybe not everything, but critical, as names set the tone and define how readers view characters. Do we expect P. G. Wodehouse’s character Bertie Wooster to be an esteemed mathematician? Most assuredly, not. As …
Continue reading “Creating Names for Historical Fiction”
When you write historical fiction, you face great scrutiny. The tiniest mistake, or an over abundance of details, and you will generate comments. Angry heated comments. In a sense, you are always walking a tightrope between crafting authentic sounding prose and creating intelligible prose. One wrong foot and everything comes crashing down. If you want …
Continue reading “Walking the Tightrope: Embodying yesteryear, while embracing today’s reader”