Straight talk from the sisters about blood, sweat and ink
Last week I wrote about how to Create Character Change and the importance of making sure your character’s flaw is foiling her in Act II. This led one of my fellow Write On Sisters to comment that the “mushy middle” is a hard section to write. That it is. Robin wrote about it here from …
Continue reading “Screenwriter Tips for Novelists: Mapping the Mushy Middle”
Everyone wants a book that explodes off the page like a supernova. The best compliment any reader can give a book is to say they couldn’t put down. It’s not easy to create a bang, which is why too many books open with a few sad sparks and no fully formed fireworks. There are some …
Continue reading “Does Your Book Open With a BANG?”
My last post about Theme turned out to be a little contentious. Not everyone agreed with the definition, which isn’t surprising considering we were all taught in English class that theme is a) usually distilled down to one word, like “salvation” or “death”, and b) open to interpretation. This approach to theme works in a …
Continue reading “The Controlling Idea – Not Your English Teacher’s Theme”
As I mentioned in my last post, Pace, Friend or Foe, one great way to drive a novel’s pace and keep people reading, is to end your chapters with a cliffhanger. Most people are familiar with the cliffhanger at the end of a novel (encouraging you to buy the next book in the series) or …
Continue reading “8 Ways to End a Chapter With a Cliffhanger”
Theme is like a truffle – it has to be there, just under the surface, but one must snort through much mud to unearth it. A most unpleasant process I’ve been stuck in for the last few months. So why do I keep at it? Won’t the theme of my book just magically appear once …
Continue reading “Does Your Novel Have a Theme with a Capital “T”?”
Before I explain what a B-Story is and why it’s crucial, here’s a list of what it is not: Comic relief that is inconsequential to the main story. A side plot that has nothing to do with your hero. A tacked-on love story to appease those who say YA needs a love triangle. These are …
Continue reading “What’s a B-Story? And Why That Love Triangle Doesn’t Cut It”
I picked HUNGER GAMES as the first novel to break down into the Basic Story Beats because I knew it had all the elements in chronological order. After all, I’d read the novel thrice and was familiar with the story. Though I was shocked to find that the Debate didn’t actually happen on the page, …
Continue reading “Basic Story Beats of The Hunger Games (based on the “Save The Cat” beat sheet)”
Just as there are many ways to write a novel, there are many ways to outline a novel. You can use all the methods, one of the methods, or none of the methods. The choice is yours! Go nuts with the freedom! Myself, I use all of the outlining methods I will explain in the …
Continue reading “Outlining – Method 1: Basic Story Beats”