Straight talk from the sisters about blood, sweat and ink
Hannah Givens is always a favorite guest blogger at WriteOnSisters, and we’re thrilled she’s back. If you haven’t already done so, follow her wonderful book blog, power packed with great ideas for reading diverse books and authors. And now, take it away Hannah… I love sticky notes, and I’ve used them to organize my thoughts …
Continue reading “Guest Post: How to Use Scapple”
Regardless of whether you’re a plotter or pantser, you might come to a place mid-month where your story feels like it’s gone off the rails. A lot of people will tell you to plow through! Just keep writing! It’ll work itself out! But I think better advice is to check in with your basic story beats. It …
Continue reading “15 Story Beats to Keep Your NaNoWriMo Novel on Track”
I’ve just signed up for NaNoWriMo for the first time EVER. Here’s proof: As a hardcore plotter, I’ve never felt ready to participate. I can’t even fathom writing 50,000 words of prose without a solid outline. Plus, I’m not a fast writer. My inner editor and I are a team, not enemies, and I like …
Continue reading “A Slow Writer’s Scheme to Win #NaNoWriMo”
Happy Archive Revive Day! It’s always helpful to refresh what we know about writing by digging up past posts and updating the information a bit, so here we go… Originally posted on Oct. 7, 2013. Updated Sept. 21, 2015 I learned this method of outlining at Ryerson University. My screenwriting professor called it a Step Outline. …
Continue reading “Outlining – Method 2: Active Beats (aka “Show Don’t Tell”)”
This week while flushing out my novel’s outline, I decided to track where I raised and answered questions in the story. Why? Because questions are crucial to a good story; they ensure it has enough intrigue and suspense to keep readers reading. Have you ever set down a book and not been compelled to pick …
Continue reading “5 Reasons to Track Questions & Answers in Your Novel”
The following #writingtips apply to all stories, but especially short ones where every scene must be essential. Happy Short Story Month! When I plot a story, I tend to think in terms of action. This is probably due to my screenwriter training. In a screenplay all you have to work with is action and dialogue. …
Continue reading “Test That Scene – Is it Essential or Filler?”
As a screenwriter, outlines are mandatory. Not so for authors. If you’re penning a novel, it seems as if you must choose between two camps – plotter (those who outline) or pantser (those who start writing a manuscript sans outline). But it doesn’t have to be one or the other, and I think the vast …
Continue reading “O is for Outlines”
Screenwriters have all these steps that we go through before we write a script. We’re the exact opposite of pantsers. But all these stages serve a purpose. I’ve blogged about loglines, beat sheets, outlines, and scene boards. Today, I’ll tell you about treatments. A treatment is a document used mainly by film screenwriters. It’s longer …
Continue reading “Screenwriter Tips for Novelists: Write a Script Treatment”
So you’ve outlined your novel into a Wall of Sticky Notes or a Corkboard of Cards. Congrats, stuff happens! But stories are not just stuff happening. Stories are a series of scenes. Is each note/card a proper scene? Not sure? Take this test: Is That A Scene? Next Up from Heather… Robin pointed out that …
Continue reading “Outlining – Method 3 cont: From Sticky Notes to Proper Scenes”
If you’re a visual person, Outlining Method #3 is for you! I call it The Wall of Sticky Notes, because that’s how I build it. Others create a Corkboard of Cards. In the business of screenwriting, it’s simply called “The Board.” As you can see, it has four lines: Act I, Act II part one, …
Continue reading “Outlining – Method 3: The Wall of Sticky Notes (aka “The Board”)”