Straight talk from the sisters about blood, sweat and ink
For most people, holidays mean spending time with friends and family, and not going to work. It’s pretty simple if you commute – when you’re not at your place of employment, you’re not working. But for writers, the workplace is anywhere we have a pen and paper or a laptop or a functioning brain. In …
Continue reading “How Writers Do Holidays”
I read a lot. And since I’m a writer, reading isn’t just entertainment, it’s instructional. I learn from every book, whether good, bad or middling. Because of this, I’ve decided to start a blog series called “Reading For Writers 101” about all the writerly things one can learn from reading books. Today’s lesson: Book Jackets …
Continue reading “Reading For Writers 101: What Book Jackets Teach About A Story’s “Hook””
‘Tis the holiday season, which means you will probably find yourself at lots of social functions making small talk. This will inevitably lead to someone asking what your book is about. And you’ll hesitate, wondering how to sum up the intricate plot, the fantastical world, and the character’s monumental journey in less than an hour, …
Continue reading “How to Write a Logline”
A little backstory on me… I have not worked a regular, paying job this past year. I used my savings to quit everything and just write a novel. I’ve had many friends ask me how I stay motivated without the threat of deadlines or reward of money. This is how I do it… 1) Schedule. …
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Books can take us places we yearn to explore, introduce us to characters we’d love to be, and allow us to live our dreams no matter how impossible. Such books help us escape our own troubles, at least for a while. But books can also take us to dangerous places, introduce us to despicable people, …
Continue reading “What We’re Reading This Month: Books That Make Us Thankful”
My last post about Theme turned out to be a little contentious. Not everyone agreed with the definition, which isn’t surprising considering we were all taught in English class that theme is a) usually distilled down to one word, like “salvation” or “death”, and b) open to interpretation. This approach to theme works in a …
Continue reading “The Controlling Idea – Not Your English Teacher’s Theme”
Theme is like a truffle – it has to be there, just under the surface, but one must snort through much mud to unearth it. A most unpleasant process I’ve been stuck in for the last few months. So why do I keep at it? Won’t the theme of my book just magically appear once …
Continue reading “Does Your Novel Have a Theme with a Capital “T”?”
Before I explain what a B-Story is and why it’s crucial, here’s a list of what it is not: Comic relief that is inconsequential to the main story. A side plot that has nothing to do with your hero. A tacked-on love story to appease those who say YA needs a love triangle. These are …
Continue reading “What’s a B-Story? And Why That Love Triangle Doesn’t Cut It”
So you’ve outlined your novel into a Wall of Sticky Notes or a Corkboard of Cards. Congrats, stuff happens! But stories are not just stuff happening. Stories are a series of scenes. Is each note/card a proper scene? Not sure? Take this test: Is That A Scene? Next Up from Heather… Robin pointed out that …
Continue reading “Outlining – Method 3 cont: From Sticky Notes to Proper Scenes”
If you’re a visual person, Outlining Method #3 is for you! I call it The Wall of Sticky Notes, because that’s how I build it. Others create a Corkboard of Cards. In the business of screenwriting, it’s simply called “The Board.” As you can see, it has four lines: Act I, Act II part one, …
Continue reading “Outlining – Method 3: The Wall of Sticky Notes (aka “The Board”)”